Art And Mathematics:Escher And Tessellations Essay -- Math Artistic Pa

Art And Mathematics:Escher And Tessellations On first thought, mathematics and art seem to be totally opposite fields of study with absolutely no connections. However, after careful consideration, the great degree of relation between these two subjects is amazing. Mathematics is the central ingredient in many artworks. Through the exploration of many artists and their works, common mathematical themes can be discovered. For instance, the art of tessellations, or tilings, relies on geometry. M.C. Escher used his knowledge of geometry, and mathematics in general, to create his tessellations, some of his most well admired works. It is well known that in the past, Renaissance artists received their training in an atmosphere of artists and mathematicians studying and learning together (Emmer 2). People also suggest that the art of the future will depend on new technologies, computer graphics in particular (Emmer 1). There are many mathematical advantages to using computer graphics. They can help to visualize phenomena and to understand how to solve new problems (Emmer 2). â€Å"The use of ‘visual computers’ gives rise to new challenges for mathematicians. At the same time, computer graphics might in the future be the unifying language between art and science† (Emmer 3). However, one must remember that art is by no means the same as mathematics. â€Å"It employs virtually none of the resources implicit in the term pure mathematics.† Many people object that art has nothing to do with mathematics; that mathematics is unemotional and injurious to art, which is purely a matter of feeling. In The Introduction to the Visual Mind: Art and Mathematics, Max Bill refutes this argument by stati... ...d Mathematics. Ed. Michele Emmer. Cambridge: MIT Press. 5-9. Emmer, Michele. â€Å"Intoduction to the Visual Mind:Art and Mathematics.† The Visual Mind: Art and Mathematics. Ed. Michele Emmer. Cambridge: MIT Press. 1-3. Escher, M.C. Escher on Escher- Exploring the Infinite. New York: Harry N. Abrams, Inc., 1986.whattess.html. â€Å"Math Forum: What is a Tessellation?† Available Online.http://forum.swarthmore.edu/sum95/suzanne/whattess.html.Accessed 10/5/99. â€Å"Maurits Cornelius Escher.† Available Online. http://www-groups.dcs.st-and.ac.uk/~history/Mathematicians/Escher.html. Accessed 10/16/99. †M.C. Escher- Interlocking Shapes and Tessellations.† Available Online. http://www.znet.com/~wchow/escher.htm. Accessed 10/7/99. Schattschneider, Doris. â€Å"The Fascination of Tiling.† The Visual Mind: Art and Mathematics. Ed. Michele Emmer. Cambridge: MIT Press. 157-164.

Guitar Concert Reaction Paper Essay

The guitar concert last September 7 2012 was indeed a show not to miss. It presented various styles and techniques that created a very wonderful piece of art. There were many factors that made the concert more than pleasing to the spectators that were present that night. First was the aura that the concert created, it was calm yet powerful which in my point of view really made the concert not boring or easy to fall asleep. The way the guitar, violin and the Chapman stick were played together was truly above the normal capabilities of a trained person. It was really harmonious as if the players were unconsciously playing their instruments. It was really like it was a part of their body. Next, I will focus on the three instruments present in the concert and point them out individually and their effect on the quartet. First is the violin and the violinist. The violin was a great builder of harmony in the quartet as it balances the missing pieces that the guitar and the Chapman stick was not able to provide. Considering the fact that the violin as a single instrument is already good enough, it’s incorporation with the quartet was truly heavenly. The violinist was really good and truly a master in his own rights. His solos we’re magnificent and it was like he was playing with his heart out. I think that is the secret when it comes not only when playing a violin or any other instruments but also in all art forms for it to be considered successful. Next are the guitar and the guitarist. As a guitar player I am amazed on how Sir Nobel executed not only his solos but all his performances that night. He did not strum that much but he performed a very wonderful series of plucking. The guitar piece for â€Å"The Swan† was the most wonderful part of the concert because of his resiliency in the manner of his playing. It was like he really made the guitar sound like piano it was really just magical. Lastly, the Chapman stick and Miss Clutario. It was fun to see an uncommon instrument played for public. At first I was really curious on how the instrument will sound like and after she pluck/tapped the string I felt happy and not disappointed that I attended the concert. The fact that it was a dual type of instrument is outstanding. Its ability to play both rhythm and bass was just awesome. To sum it all up my experience in the guitar concert was truly worth it. I think it should cost more than a hundred but considering the fact that I’m kind off short on money, 100 is just enough. The harmony between the three was perfect that I have chills down my spine when the quartet performed with the Chapman stick and Miss Clutarios voice so heavenly. Finally the concert is really a form of getaway for it helped me relax and forget all my problems in life.

Notes On Theories Of Creation - 3451 Words

THE THEORIES OF CREATION Alton Wimberley College of Biblical Studies October 7, 2014 THEORIES OF CREATION ___________________ A Paper Presented to Dr. Shane Boothe College of Biblical Studies ___________________ In Partial Fulfillment of the Requirements for the Course BIBL 1311: Pentateuch ___________________ by Alton Wimberley October 2014 TABLE OF CONTENTS INTRODUCTION†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.3 DAY AGE THEORY†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦4 EVOLUTION†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦5 Atheistic Theory†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦6 Theistic Theory†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦......6 GAP THEORY†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..7 LITERAL SIX DAY THEORY†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦9 CONCLUSION†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.10 BIBLIOGRAPHY†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.13 INTRODUCTION In the beginning God! These are not only the first words of God to mankind concerning the origin but it is at the same time the last words also. At one point in time however, there was neither time nor creation. God spoke the word and all creation came into being just as he spoke it. There was no greater being before God, there is now no greater being than God, and there will never be any greater being after God – seeing that God is omnipresent and not going anywhere. Man has really tried to substitute philosophy and science for the word of God, but God’s statement still stands. Although Moses wrote the book of Genesis centuries ago, now there hasShow MoreRelatedCharles Darwin And Darwin s Theories On The Human Understanding Of Biological History1499 Words   |  6 Pagespublished The Origen of Species in 1859, he knew the asseverations made in it would cause a rift in the scientific community of his day. Also, he knew that his work would not be received by huma nity with open arms because of the dogmatic idea of creation that was predominant in his time. Nonetheless, he went ahead and published the results of his extensive and detailed work because he knew, that not doing so would cause him to lose the right to claim this discovery for himself. At first, the scientificRead MoreThe s Theory Of Energy Conversion1655 Words   |  7 Pagesform of knowledge conversion is demonstrated by apprentices who learn critical skills just by working alongside their mentors. Evidently, therefore, experience is a key cornerstone when it comes to an individual acquiring tacit knowledge. Nonaka’s theory of energy conversion suggests that it is enormously difficult for individuals to share their thinking processes without keenly sharing their experiences (Bashar Sarayreh 2012). A common feature of this form of conversion is emotional attachment toRead MoreShould Creationism be taught in Public Schools? 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